CIHM 
Microfiche 
Series 
(IMonographs) 


ICMH 

Collection  de 
microfiches 
(monographies) 


Canadian  Instttuta  for  Historical  Microraproductions  /  Institut  Canadian  da  microroproductiona  historiquas 


Technical  and  Bibliographic  Notes  /  Notes  techniques  et  bibilographlques 


Th«  Irwtitut*  hat  attwnptMl  to  obtain  ttw  tMtt  original 
copy  availal)le  for  fibning.  Featuraa  of  tfiis  copy  wftieh 
may  ba  bibHographicaily  imiqua,  wtiicfi  may  altar  any  of 
tha  Imagaa  In  tha  raproductlon.  or  wfilch  may 
significantly  changa  tha  usual  mathod  of  filming  ara 
cfiadwd  balow. 


0 
D 
D 


0 
0 
D 
D 
D 


D 


D 


Cotouradcovara/ 
Couvartura  da  coidaur 

Covars  damagad  / 
Couvartura  andommagto 

Covars  rasiorad  and/or  laminated  / 
Couvarturs  rastaurte  at/ou  pellicula 

Covartltia  missing  /lAtltre  da  couvartura  manqua 

Coloured  maps  /  Cartas  g^ographiques  en  couleur 

Coloured  \rk  (l.e.  other  than  t>lue  or  black)  / 
Encre  de  couleur  (i.e.  autre  que  bleue  ou  noire) 

Coloured  plates  and/or  illustrations  / 
Planches  et/ou  Illustrations  en  couleur 

Bound  with  other  material  / 
Reli6  avec  d'autres  documents 

Only  edition  available  / 
Seule  Mition  dispontt)le 

Tight  binding  may  cause  shadows  or  distortion  along 
Interior  margin  /  La  reliure  sente  peut  causer  de 
I'ombre  ou  de  la  distorsion  le  long  de  la  marge 
int^rieure. 

Blank  leaves  added  during  restorattons  may  appear 
within  the  text.  Whenever  possible,  these  have  been 
omitted  from  filming  /  Use  peut  que  certaines  pages 
blanches  ajoutdes  tors  d'une  restauration 
apparaissent  dans  le  texte.  mais,  torsque  ceia  6tait 
pos8it)le.  ces  pages  n'ont  pas  M  filmtos. 

Additk>nal  comments  / 
Commentaires  suppldmentaires: 


TMs  Mmi  Isfilnwdittt 
Ctt  dooiHnwit  ttst  fllnw 


Ml  taux  d*  rMiiellon  bMlquA 


L'Institut  a  microfilm*  la  maVlaur  axamplaira  qu'H  y  a 
M  poaatoia  de  aa  procurer.  Laa  ditaiia  da  oat  axam- 
plalre  qui  sont  paut-«tra  imkiuaa  du  point  da  vua  bibN- 
ograpNqua.  qui  pauvant  modifiar  una  image  rsproduMa. 
ou  qui  pauvant  axigar  una  nmdifkMtkxi  dana  la  mMho- 
da  normala  da  fUmaga  sont  iniMqute  d-daasoua. 

I     I  CokNJiadpagaa/Pagaa  da  couleur 

I     I  Pagaa  damagad /Pagaaandommag4as 


D 


Pages  restored  andA>r  laminatad  / 
Pages  rsstaur*es  et/ou  pelllculdes 


0  Pages  discotoured,  stained  or  foxed  / 
Pages  d*cok)rtes,  tachettes  ou  pkiu*es 

I        Pages  detached/ Pages  d6tach«as 

\y    Showthrough / Transparence 

I     I  Quality  of  print  varies/ 


J 


D 
D 


D 


Qualit*  in^gala  de  rimpresston 

Includes  st^apienwntary  material  / 
Comprend  du  ntat^riel  suppMmentaire 

Pages  wholly  or  partially  obscured  by  enata  slips, 
tissues,  etc.,  have  been  refilmed  to  ensure  the  best 
possible  image  /  Las  pages  totalement  ou 
partieilement  obscurcies  par  un  feuHlet  d'errata,  une 
peture,  etc.,  ont  *t*  filmdes  k  nouveau  de  fa$on  k 
ot>tenir  la  meilleure  image  possible. 

Opposing  pages  with  varying  colouration  or 
discokMjrattons  are  filmed  twice  to  ensure  the  best 
possible  image  /  Les  pages  s'opposant  ayant  des 
colorattons  variables  ou  des  d^cotorations  sont 
fiim^es  deux  fois  afin  d'obtanir  la  meilleure  image 
possttjle. 


lOx 

14x 



18x 

22x 

2ex 

aai 

7" 

1 

' 

12x 

18x 

20x 

24x 

2tx 

32x 

TiMMtV 


IHmHW 


MtiMiftl  Library  of  Canute 


l^gi^Hlty 


copiM  in  priMa^ 
wiHi  tfM  front  i 
t  wMi  a  priiMatf  a»  muawawd  knfM 
back  tvtm  wtMn  apprepfiata.  AN 
'•  -apiaa  ara  fUmatf  fcagiwiiw  m 
a  ptimarf  a*  iNuawatarf  «"»P«^_ 
iMt  papa  vvitli  a  primad 


aiofi.Of  tlM 

atfM 

fksi 

•k 

or 


Tha  laei  racofdad  frama  on  aajA  miemfkja 

•naM  contain  tna  •vn»Pol  —  ""tS^-sSS^,' 
Tli«UED"l.  or  tho  •ymOol  ▼  Imoaninf    aww  i. 


MMa.  plataa.  charw.  ate.,  mav  bP  «ln»n^  •« 
SfSXadMCti^i  ratio..  Th—  !••  Ij^jo  »»• 
•ntiralv  inclypad  in  ona  aapoaura  ara  f«n»«« 
SSIU  l«  tM  yppar  laft  hand  cori-rjalt  to 

ri«M  and  top  to  bottom,  m  •"•^  ♦'•"^," 
raquirod.  Tha  fottoirwng  diaflrama  illuatrata  tha 

mattMd: 


L'aaawpliirP  Will*  tut  raproduit  yted  *  >• 

■Vwono  wi 

Blblloth^ioo  MtionaU  da  Capada 


Lao  ima«aa  Miivantaa  ent  *t«  raproduitos  avac  la 
plya  tnind  toin.  compca  tami  da  la  condition  at 
do  la  nanatd  da  raaomploiro  tilmd.  at  mn 

loa  aonditlanc  du  aonuat  da 


Ua  aacwplairac  arigkiaua  dont  la  eouwortwro  1% 
pm^im  aM  ifl»prtni«a  com  f  ilmda  m  eammancant 
por  lo  otowlor  plot  ot  an  tarminant  tait  par  la 
damMro  papa  dui  compono  uno  omprointo 
dlmprooaion  ou  dmiotrotion.  soit  por  lo  tocond 
plot,  coton  lo  ooa.  Taoa  laa  aMtraa  aaampiatraa 
orioinoiM  cont  Wmda  an  aommoncaot  par  la 
una  amprainta 


pfwniOfo  popo  dui  awnpona  una  amproinM 
dlmpraaaion  a«i  dlNvatration  at  1%  tarminant  par 
la  damldid  ppfo  qui  dPNipdfta  una  talia 


Un  daa  aymboloa  MiivanM  apparaltra  curia 
damMra  imaaa  da  chaoHa  microfiche.  Mian  lo 
SllltolvmlSo  -»  .igniflo  "A  SUIVRi".  lo 
•vmPoloVci«nifio''FIN''. 

Lac  cortoc.  plonchoc.  taWaau«.  ate.  pauwant  «tra 
fUmdo  A  daa  taua  da  rdduction  diff Crontc. 
LorcQuo  lo  ddcumont  oat  trop  8»nd  pour  «tra 
raproduit  on  un  coul  cMchd.  il  act  fUm4  C  partir 
da  ran^  aupdriaur  gaucha.  da  gaucha  *  draita. 
•t  da  haut  an  baa.  an  pranant  la  nombrc 
d'Imopoc  ndcoccaira.  Lac  diaprammaa  cuiwanM 
UlMstrant  la  mdtliodo. 


Miamoopr  moumon  im  own 

(ANSI  and  ISO  TiST  CHAUT  No.  2) 


1.0 


F  1.1 


UL 

■  2J 

Itt 

■"' 

Itt 

|U 

IM 

|a« 

m 
m 

|4g 

u 

£.£ 

|Z2 
12.0 


1.8 


Iml^E   il^^    M^i 


A 


•653  Cost  Main  Strwt  " 

fhehyrty.  Nm  York  1  . 
(7t6)  482  -  0300  -  Pheiw 
(7ta)  286  -  5969  -  Fo 


USA 


>c  C^G^^^W'  ^'" 


Cbe 


ynt^Niy  of  Cif  e 

By  B.  D«  Olalsoii 


111  o"t*liar  ?ay3.. apart, 
Ma.QVQjoi!  daSi:..1;:-iroush- 

-  cut  tlis  year,  - 
i:eQii.._GIiristina3   ii 


tir; 


heart, 


(WuAf-l.'h'UlM^. 


tx/oo-tf^ 


UrM  Pmt  «  aic$tiMe«  IDa  i. 


25/ 


Wo^ 


>-**^^.< 


CN  SymMony  of  Cifft 


OVE  brooded  over  the  years 
till  hit  voice  was  heard  like 
the  sound  of  bells  pealing 
across  the  desert.  As  I  lour- 
neyed,  I  looked  eagerly  thru 
the  shadows  thst  I  might  see  Loye*s  face 
emerge  froqi  the  darkness. 

When  it  appeared  it  was  as  the  face  of 
God.  And  all  the  way  I  was  intent  with  open 
ear  to  hear  the  great  anthem  of  deep-toned 
bells  pealing  like  a  symphony  out  of  the  silence. 
But  I  heard  also  the  jargon  of  the  creeds,  and 
perceived  that  they  who  were  intent  upon 
such  things  heard  not  the  deeper  voices,  being 
too  bi*"  r  with  things  to  care  for  the  heart  of 
thin(  '  leased  with  their  own  opinions  to 

hear  h         gs  of  the  angels. 

Now  « aith  and  Hope  |oined  me  in  the  way 

and  showed  me  the  path  over  the  drifting  sands. 

And  another  walked  at  my  side,  and  as  he 

seemed  to  be  wise,  I  asked  him:  "Whereunto 

doth  this  desen  path  lead?'* 


liiMiMWriirtiiiiinfffiwr-'- 


!■• 


Tk0  Sfimitkomf  •/  LI/« 


**It  lefedeth"  said  he  *V  the  land  of  cletr 
vision  and  leif-realization.  The  sands  are  the 
coverings  that  hide  the  face  of  the  real.  All 
that  is  is  within  thee.  God's  promise  is  ia 
thine  own  heart.  The  face  of  Love,  the  forms 
of  Hope  and  Faith,  the  voices  of  Nature  and 
the  subtler  appeal  of  personality  are  but  im- 
ages seen  in  a  glass.  That  which  is  at  the 
heart  of  things  is  thine  own  life.  Thou  need- 
est  nothing  outside  thyself.  Let  the  voices 
within  respond  to  the  call  of  life,  and  thou 
Shalt  have  )oy  and  comradeship,  and  the  thrill 
of  it  all  shall  be  as  the  fire  that  leaps  to  beau- 
ty in  the  hean  of  a  iewel. 

When  I  heard  these  things,  I  knew  that  he 
who  spake  to  me  was  Wisdom.  Being  mind- 
ful of  his  words,  I  turned  my  thoughts  inward 
wondering  what  further  light  would  break.  Then 
I  heard  a  voice  within  me  saying:  "To  him 
whose  heart  is  as  the  heart  of  a  little  child,  the 
eanh  is  full  of  heaven,  silence  is  music,  beau- 
ty is  the  heart  of  the  shadows.  Listen  again 
and  thou  shalt  hear  the  voices  of  the  ancient 
years." 


I  did  to  tod  lo,  the  years  etme  btck  with 
silent  feet  and  whispered,  tnd  I  heard  each 
generaiion  telling  the  next  of  a  world  of  light 
within  the  shadows,  of  i  srthere  of  music  more 
intimate  than  the  aenses.  And  the  voicea  of 
the  years  rang  clear  thru  my  aoul,  albeit  the 
nolaea  of  tims  were  thundering  across  the 
world. 

Then  I  knew  that  the  voice  of  Love  and 
the  word  of  Wisdom  are  the  same,  all  the 
muaic  of  the  ailence,  the  whispers  of  eter- 
nity, the  voice  of  God  one  symphony  of  life. 
I  pierced  the  shadowa  and  semblancea,  the 
masks  and  wrappagea  of  life,  for  clear  vlalon 
had  come  and  self-realization.  And  now  I  aee 
that  the  purpose  J  life  is  not  the  achievement 
of  a  deadny,  nor  the  doing  of  thinga  that  we 
may  rest  when  *hey  are  done,  but  life  is  al- 
together for  IL  *  aake,  for  the  toy  of  living 
aa  children  who  play  together  and  are  glad. 
All  true  life  la  an  arrival  and  diere  la  no  end. 
Death  Is  not  a  terminal,  but  a  door  to  a  new 
houae  of  life.  Every  moral  criala  la  a  judgment 
day  and  the  present  Is  eternity. 

We  are  alive  that  we  may  live.    Love  is  no 


H 

5' 


P 


^  Tk9  Sjfm^it9  •t  Uh 

temw  M  mm,  of  love*i  appeal,  but  an  eatraoce 
»  ■  toner  y\9km,  a  deeper  ioteaalty,  a  falter 
es^reaajoo  oTUfe.  Faith  la  not  a  belief  in  a  God 
who  Uvea  oslylaa world  to whieh  weare  toint. 
It  !•  •  fire  kiadled  oo  the  altar  of  Ufe-a  fire 
of  whieh  ereeda  are  but  the  aahea. 

I  BOW  expect  no  reward  for  another'a  aaeri- 
fice,  no  eacape  from  myaelf  except  by  atoying 
the  inferior  that  the  nobler  may  appear.  Hope 
it  to  me  a  beacon  naming  from  the  hiUa  of 
victory,  the  triumph  of  aU  God-conquered 
Uvea  fUnfing  beama  of  light  and  beauty  into 
the  deep  heart-eyea  of  die  world. 

What  am  I  doing  wm} 

I  ani  in  the  garden  of  life  calling  you  to 
ptoy  with 


(^MjOuGi^ 


